Impression Dies

The outside band for a bezel or religious charm. The band is engraved with the words, "O MARY WHO CONCEIVED WITHOUT SIN PRAY FOR US WHO HAVE RECOURSE TO THEE." From Foster & Bailey (Providence, RI).

An abstract, geometric component with a side that resembles a smile. From Foster & Bailey (Providence, RI).

A shot plate including two rocky-textured components, a heart and a bead. From 1950s Pforzheim, Germany.

A trio of components (square, rectangle, bezel/drop) half made from ornate patterns. From Eagle Tool.

A nouveau style component for clasps and pins. From Gold Machinery.

This wreath was sized from an original Gorham ornament from our collection (we added the year). The Gorham Company was founded in 1831 as a spoon manufacturer. The company was in providence, Rhode Island. This ornament was originally made in the mid to late 1800's.

This pattern was originally meant to be used by soldering multiple stampings together forms a continuous pattern that locks into the next stamping. Alternatively, this design has at least three different elements that can be used on their own. From Frank Morrow Co.

This seamless pattern design is hand-carved to perfectly resemble basket weaving. The fibers are three-dimensional, weaving over and under each other. Soldering multiple stampings of this design together forms a continuous pattern that locks into the next stamping. Alternatively, this design has at least two different elements that can be used on their own. From Frank Morrow Co.

A floral, geometric seamless pattern originally made for furnishings and wire. Soldering multiple stampings of this design together forms a continuous pattern that locks into the next stamping. Alternatively, this design has at least five different elements that can be used on their own. From Frank Morrow Co.

A large floral seamless pattern impression die with nouveau-inspired curls and a eye-catching flower. Soldering multiple stampings of this design together forms a continuous pattern that locks into the next stamping. From Frank Morrow Co.

Versatile set of components or accents that features two bezels and a link.

Accent component of a Victorian heart that is expanded outwards. Carver origins are unknown.

Simple locket top design with light engraving done from a rose engine. Carved by Parisi Tool in the 1950s.

Crescent moon with flourishes engraved outwards from a central flower. From Ru-Mart out of Rhode Island.

Simple ring top with a leafy flourish grown atop it. From Larter and Sons in New Jersey, likely carved in the early 1900s.

Simple ring shank with a floral motif at the top to border a stone setting.

Narrow ring band with a central square for stone setting with leaves growing outward from it.

Koi fish leaping out of the sea as a big wave rolls in. Carver origins are unknown.

Turtle shell shape with scaled engraved into the top face, by Ru-Mart out of Rhode Island.

Three ornate ring top designs originating from different Rhode Island carvers of the early 1900s.

A dangle earring with a lily carved into it from Ru-Mart out of Rhode Island from the 1960s.

Pointer dog on the prowl button, carved by Ru-Mart in Rhode Island.

Small stone setting component featuring a radiant motif expanding outwards from the stone. From Whiting and Davis, carved back in the early 1900s.

Flourishing heart expanding outwards from an unknown carver, estimated to be early 1900s Rhode Island.