Impression Dies

Love of the vine Bracelet impression die. This may take longer to receive than other impression dies. It requires us to use a non-standard size of steel to make the impression die. From Frank Morrow.

This die depicts a full skeleton of a human. Great for earrings, a pendant or a bespoke ring. From Paris, France, mid to late 1800's.

How many unique components can you make from this die? The answer: dozens. Mandalas are one of the most versatile jewelry impression dies you could ever buy. Whether you're a master or a beginner, you need to have these designs in your collection. From 19th century Paris, France.

A flower power bezel in four distinct sizes for matching jewelry collections. From Breuning (Pforzheim, Germany).

An oval button or cuff link depicting a dog in profile.

An engraved boar's head inside a decorative medallion. From Janvier Gruson Prat Wagner (est. 1840 Paris, France).

A tall bezel with fancy sides. Made ring tops and cuff links for Larter & Sons (1890s-1950s Newark, NJ).

A fish that may or may not be salmon. We have no idea.

A Victorian-inspired component that resembles colliding hearts.

A small oval component of delicate floral filigree. From Waite Thresher Co. (est. 1885 Providence, RI, USA).

A quartet of small striped components including charms, bezels, and a small oval stud. From Breuning (Pforzheim, Germany).

A selection of tiny floral components that work together or separately. All dies from Breuning (Pforzheim, Germany).

A tiny version of the recognizable profile of Nefertiti, a famous Egyptian queen. From Silveri (c. 1980s).

A shot plate of four unique guilloche buttons.

A tall ring with three oval settings amidst swirls. From Granite Bros. (est. 1926 Redlands, CA).

A pair of slightly concave leaves with three pieces.

A large bar pin originally used to secure scarves, hats, and other large accessories.

A dog with textured fur. Origin unknown.

A pair of components shaped like a swirling ear, ending in three trumpet-like leaves. From Granite Bros. (est. 1926 Redford, CA).

This Victorian-era floral, flourishing design makes belt tips, box tops, money clips, and more.

This band is deceptively simple, but might be one of the most useful impression dies in your collection. Originally made for men's wedding rings, the design lends itself to versatility. You can use the center and outer bands separately for hoops and bezels, You can easily repeat the pattern for trimmings. You can even saw out the center band to make an inlay ring. From Granite Bros. (est. 1926 Redlands, CA).

A leaping trout with a connected stone setting. This is the perfect pin or pendant to gift to the fishers and wildlife fans in your life. Acquired from Gold Machinery.

A ring with a center space where three flowers protrude in full bloom. Original hub was hand-carved in the early 1900’s. From Granite Bros. (c.1926 Redlands, CA).

This pair of Krepel Dragons is a great representation of mythology. It was carved by hand using a chisel and hammer. From Gold Machinery